| The tactile eye: Touch and the cinematic experience JM Barker Univ of California Press, 2009 | 1262 | 2009 |
| Analysis of exome sequence in 604 trios for recessive genotypes in schizophrenia E Rees, G Kirov, JT Walters, AL Richards, D Howrigan, DH Kavanagh, ... Translational psychiatry 5 (7), e607-e607, 2015 | 41 | 2015 |
| Out of sync, out of sight: Synaesthesia and film spectacle JM Barker Paragraph 31 (2), 236-251, 2008 | 40 | 2008 |
| " A Hero Will Rise": The Myth of the Fascist Man in Fight Club and Gladiator J Barker Literature/Film Quarterly 36 (3), 171, 2008 | 35 | 2008 |
| Bodily Irruptions: The Corporeal Assault on Ethnographic Narration JM Barker Cinema Journal 34 (3), 57-76, 1995 | 24 | 1995 |
| The Feminine Side of New York: Travelogue, Autobiography, and Architecture in News From Home JM Barker Identity and Memory: The Films of Chantal Akerman, 41-58, 2003 | 17 | 2003 |
| Neither here nor there: Synaesthesia and the cosmic zoom JM Barker New Review of Film and Television Studies 7 (3), 311-324, 2009 | 15 | 2009 |
| Chew on This: Disgust, Delay, and the Documentary Image in Food, Inc. JM Barker Film-Philosophy 15 (2), 70-89, 2011 | 14 | 2011 |
| Movement That Matters Historically: Janet Cardiff and George Bures Miller’s 2012 Alter Bahnhof Video Walk C Ross Discourse 35 (2), 212-227, 2013 | 13 | 2013 |
| Touch and the cinematic experience JM Barker Oxford UP, 2011 | 12 | 2011 |
| Eyes at the back of his head: precarious masculinity and the modern tracking shot JM Barker, A Cottrel Paragraph 38 (1), 86-100, 2015 | 9 | 2015 |
| Indifference, Identification, and Desire in Virginia Woolf’s Three Guineas, Leni Riefenstahl’s The Blue Light and Triumph of the Will, and Leontine Sagan’s Maedchen in Uniform J Barker Women in German Yearbook 26 (1), 73-96, 2010 | 9 | 2010 |
| Hard Candy KL Cannon, JM Barker Moving Data: The iPhone and the Future of Media, 73-88, 2012 | 7 | 2012 |
| Be-hold: Touch, Temporality, and the Cinematic Thumbnail Image JM Barker Discourse 35 (2), 194-211, 2013 | 6 | 2013 |
| Haunted Phenomenology and Synesthetic Cinema. JM Barker Studia Phaenomenologica 16, 2016 | 5 | 2016 |
| The tactile eye JM Barker University of California, Los Angeles, 2004 | 4 | 2004 |
| A Horse is a horse, of course, of course: Animality, transitivity, and the double take JM Barker Somatechnics 8 (1), 27-47, 2018 | 3 | 2018 |
| Sonic Bodies: Listening as Acting JM Barker Theorizing Film Acting, 243-255, 2012 | 3 | 2012 |
| Introduction to “Re-Mapping Cosmopolitanism” J Barker, C Zorn Humanities 8 (3), 127, 2019 | 2 | 2019 |
| Cinema and child’s play J Barker The structures of the film experience by Jean-Pierre Meunier. Historical …, 2019 | 1 | 2019 |
