| Conceptual design of BabyIAXO, the intermediate stage towards the International Axion Observatory A Abeln, K Altenmüller, S Arguedas Cuendis, E Armengaud, D Attié, ... Journal of High Energy Physics 2021 (5), 1-80, 2021 | 95 | 2021 |
| Analysis of a putative voltage‐gated prokaryotic potassium channel D Ungar, A Barth, W Haase, A Kaunzinger, E Lewitzki, T Ruiz, ... European Journal of Biochemistry 268 (20), 5386-5396, 2001 | 25 | 2001 |
| Multichannel read-out for arrays of metallic magnetic calorimeters F Mantegazzini, S Allgeier, A Barth, C Enss, A Ferring-Siebert, ... Journal of Instrumentation 16 (08), P08003, 2021 | 13 | 2021 |
| High-resolution for IAXO: MMC-based X-ray detectors D Unger, A Abeln, C Enss, A Fleischmann, D Hengstler, S Kempf, ... Journal of Instrumentation 16 (06), P06006, 2021 | 11 | 2021 |
| Redefining eclecticism in early modern Bolognese painting: ideology, practice, and criticism D Unger Amsterdam University Press, 2019 | 10 | 2019 |
| Guercino? Paintings and His Patrons? Politics in Early Modern Italy DM Unger Routledge, 2017 | 8 | 2017 |
| The yearning for the Holy Land: Agucchi's program for Erminia and the Shepherds DM Unger Word & Image 24 (4), 367-377, 2008 | 5 | 2008 |
| Towards Precision Muonic X-Ray Measurements of Charge Radii of Light Nuclei B Ohayon, A Abeln, S Bara, TE Cocolios, O Eizenberg, A Fleischmann, ... Physics 6 (1), 206-215, 2024 | 4 | 2024 |
| A Painter of Pain: Games of Wit and Self-Promotion in Caravaggio’s Boy Bitten by a Lizard D Unger Journal of Baroque Studies 4, 21-50, 2016 | 4 | 2016 |
| For all have sinned, and come short of the glory of God: Contrition, Confession, and Satisfaction in Baroque Painting DM Unger Tradition, Heterodoxy and Religious Cultures: Judaism and Christianity in …, 2006 | 4 | 2006 |
| The pope, the painter, and the dynamics of social standing in the Stanza della Segnatura DM Unger Renaissance Studies 26 (2), 269-287, 2012 | 3 | 2012 |
| The Catholic Renewal in Seventeenth Century Art: Religious-political Propaganda in Guercino's Paintings DM Unger, Guercino Hebrew University of Jerusalem, 2001 | 3 | 2001 |
| Between Nazareth and Loreto: The Role of the Stone Bricks in Caravaggio’s ‘Madonna di Loreto’ DM Unger Maps and Travel in the Middle Ages and the Early Modern Period: Knowledge …, 2019 | 2 | 2019 |
| MMC array to study X-ray transitions in muonic atoms D Unger, A Abeln, TE Cocolios, O Eizenberg, C Enss, A Fleischmann, ... Journal of Low Temperature Physics, 1-8, 2024 | 1 | 2024 |
| A Message for the Oueen: Guercino’s Death of Dido, Cardinal Spada, and the Internal Conflicts at The French Court DM Unger Human Creation between Reality and Illusion, 243-255, 2005 | 1 | 2005 |
| The Restitution of the Terrestrial Iconography of St. Francis in the Post-Trent Era: Annibale Carracci’s St. Francis in Penitence DM Unger Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and …, 2004 | 1 | 2004 |
| High energy resolution x-ray detectors for IAXO: advantages in pre-and post-discovery phases L Gastaldo, D Hengstler, D Unger 1st General Meeting and 1st Training School of the COST Action COSMIC …, 2024 | | 2024 |
| Caravaggio’s Martha and Mary Magdalene in a Post‑Trent Context. DM Unger Journal of Early Modern Studies (2285-6382) 12 (2), 2023 | | 2023 |
| 7. Art and the Double Meaning of Reflection in Titian’s Allegory of Marriage DM Unger Titian’s Allegory of Marriage, 165, 2022 | | 2022 |
| “And My Sin Is Ever Before Me”(Psalm 51: 3): A-temporality in Seventeenth-Century Paintings of King David DM Unger Religion and the Arts 26 (1-2), 32-60, 2022 | | 2022 |
