| Off the Record: Performing Practices in Romantic Piano Playing N Peres Da Costa Oxford University Press, 2012 | 165 | 2012 |
| Performing practices in Johannes Brahms' chamber music= Aufführungspraktische Hinweise zu Johannes Brahms' Kammermusik C Brown, N Peres Da Costa, KB Wadsworth (No Title), 2015 | 19 | 2015 |
| Expressiveness in historical perspective: Nineteenth-century ideals and practices D Milsom, NP Da Costa Expressiveness in music performance: Empirical approaches across styles and …, 2014 | 18 | 2014 |
| Performance practice A Parrott, NP Da Costa Grove Music Online, 2002 | 17 | 2002 |
| Performing practices in late-nineteenth-century piano playing: implications of the relationship between written texts and early recordings NP Da Costa British Library Document Supply Centre, 2001 | 11 | 2001 |
| Dislocation in piano playing: A neglected expressive technique N Peres da Costa Early Music Performer 10, 15-36, 2002 | 4 | 2002 |
| Creative Research in Music: Informed Practice, Innovation and Transcendence A Reid, NP Da Costa, J Carrigan Routledge, 2020 | 3 | 2020 |
| Expressiveness in Historical Perspective D Milsom, NP Da Costa Expressiveness in Music Performance: Empirical Approaches Across Styles and …, 2014 | 3 | 2014 |
| Ornaments and Ornamentation S McVeigh, NP Da Costa Grove Music Online, 2014 | 3 | 2014 |
| Life Informed Practice: Contemporary Considerations for Music Education NP Da Costa Creative Research in Music, 2-7, 2020 | 2 | 2020 |
| Cultural heritage and sustainability as an essential disposition for music graduates A Reid, D Bennett, NP da Costa, P Petocz HERDSA Annual International Conference (36th: 2013), 381-390, 2013 | 2 | 2013 |
| Performing Practice in Piano Playing NP Da Costa Performing Practices in Johannes Brahms’ Chamber Music, 15-26, 0 | 2 | |
| Carl Reinecke’s Performance of his Arrangement of the Second Movement from Mozart’s Piano Concerto k. 488. Some Thoughts on Style and the Hidden Messages in Musical Notation NP Da Costa Rund um Beethoven. Interpretationsforschung heute, 14th edn.(Schliengen …, 0 | 2 | |
| The Dowling Songbook Project: A Uniquely Australian Opportunity in HIP Learning NP Da Costa, HF Mitchell, M Stephens Creative Research in Music, 53-66, 2020 | 1 | 2020 |
| Sonate (für Violoncello und Klavier) Op. 38 J Brahms, G Reinke (No Title), 1990 | 1 | 1990 |
| Mozart Piano Concerto K. 488 Project N Peres Da Costa Mozart Piano Concerto K. 488 Project, 2022 | | 2022 |
| John Barnett (1802-1890), Harry Stoe van Dyk (words): The light guitar [Oh! leave the gay and festive scenes]; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte … N Peres Da Costa, K van Stade, M Stephens, G Skinner https://hdl. handle. net/2123/29315, 2022 | | 2022 |
| William Ellard (dc 1838/39): The much admired Australian quadrilles (Dublin and Sydney, 1835)(‘Dedicated by permission to Miss Hely of Engehurst’)[1] La Sydney;[2] La … N Peres Da Costa, D Yeadon, A Gard, M Stephens, G Skinner https://hdl. handle. net/2123/29315, 2022 | | 2022 |
| Henry Rowley Bishop (1787-1856): Overture to Guy Mannering (arr. for pianoforte trio); Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello … N Peres Da Costa, D Yeadon, A Gard, M Stephens, G Skinner https://hdl. handle. net/2123/29315, 2022 | | 2022 |
| M, of Anambaba [John McGarvie](1829): The exile of Erin on the Plains of Emu [O! Farewell my country-my kindred-my lover](Tune: The exile of Erin); Koen van Stade (tenor), Neal … N Peres Da Costa, K van Stade, M Stephens, G Skinner https://hdl. handle. net/2123/29315, 2022 | | 2022 |
Anna ReidUniversity of SydneyVerified email at sydney.edu.au
