Andrew J. Milne

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	总计	2019 年至今
引用	1042	710
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i10 指数	33	25

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Roger T. DeanProfessor of Sonic Communication, Western Sydney University; Artistic Director, austraLYSIS在 westernsydney.edu.au 的电子邮件经过验证
William SetharesProfessor of Electrical Engineering, University of Wisconsin在 wisc.edu 的电子邮件经过验证
Eline SmitPostdoctoral fellow, Department of Linguistics, University of Konstanz在 uni-konstanz.de 的电子邮件经过验证
Steffen A. HerffSydney Horizon Fellow / DECRA Research Fellow, University of Sydney在 sydney.edu.au 的电子邮件经过验证
Robin LaneyOpen University在 open.ac.uk 的电子邮件经过验证
Jim Plamondon在 plamondon.com 的电子邮件经过验证
Jennifer MacRitchieThe University of Sheffield在 sheffield.ac.uk 的电子邮件经过验证
Anthony PrechtlPhD in Computing, The Open University在 open.ac.uk 的电子邮件经过验证
Simon HollandCentre for Research in Computing,The Open University在 open.ac.uk 的电子邮件经过验证
Hannah SarvasyMARCS Institute, Western Sydney University在 westernsydney.edu.au 的电子邮件经过验证
Gabrielle WeidemannAssociate Professor, School of Psychology, Western Sydney University在 uws.edu.au 的电子邮件经过验证
Andrea M. CalilhannaUniversity of Adelaide; Cherrybrook Music Studio在 adelaide.edu.au 的电子邮件经过验证
Matthew BreadenResearch Officer, Western Sydney University在 westernsydney.edu.au 的电子邮件经过验证
John R TaylorMARCS Institute for Brain, Behaviour, and Development, Western Sydney University在 westernsydney.edu.au 的电子邮件经过验证
Courtney B. HiltonSchool of Psychology, University of Auckland | Child Study Center, Yale University在 g.harvard.edu 的电子邮件经过验证
Christian HerffMaastricht University在 maastrichtuniversity.nl 的电子邮件经过验证
Dean KrusienskiProfessor of Biomedical Engineering, Virginia Commonwealth University在 vcu.edu 的电子邮件经过验证
Sarah McIntyreDepartment of Biomedical and Clinical Science, Linköping University, Sweden在 liu.se 的电子邮件经过验证
Micah B. GoldwaterUniversity of Sydney在 sydney.edu.au 的电子邮件经过验证
Tara Julia Hamiltonco-CEO at Cuvos在 cuvos.com.au 的电子邮件经过验证

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Andrew J. Milne

Associate Professor of Music Cognition & Computation, Western Sydney University

在 westernsydney.edu.au 的电子邮件经过验证 - 首页

Music Psychology Music Perception Music Cognition Music Theory Sound and Music Computing


标题按引用次数排序按年份排序按标题排序	引用次数引用次数	年份
Spectral tools for Dynamic Tonality and audio morphing WA Sethares, AJ Milne, S Tiedje, A Prechtl, J Plamondon Computer Music Journal 33 (2), 71–84, 2009	60	2009
Isomorphic controllers and Dynamic Tuning: Invariant fingering over a tuning continuum AJ Milne, WA Sethares, J Plamondon Computer Music Journal 31 (4), 15-32, 2008	59	2008
The perceptual relevance of balance, evenness, and entropy in musical rhythms A Milne, SA Herff Cognition 203, 104233, 2020	55	2020
Perception of affect in unfamiliar musical chords EA Smit, AJ Milne, RT Dean, G Weidemann PLOS One 14 (6), e0218570, 2019	55	2019
Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance AJ Milne, S Holland Journal of Mathematics and Music 10 (1), 59-85, 2016	47	2016
A spectral pitch class model of the probe tone data and scalic tonality AJ Milne, R Laney, DB Sharp Music Perception 32 (4), 364–393, 2015	44	2015
Cognitive, motor and social factors of music instrument training programs for older adults’ improved wellbeing J MacRitchie, M Breaden, AJ Milne, S McIntyre Frontiers in Psychology 10, 2868, 2020	42	2020
Tuning continua and keyboard layouts AJ Milne, WA Sethares, J Plamondon Journal of Mathematics and Music 2 (1), 1–19, 2008	42	2008
Testing a spectral model of tonal affinity with microtonal melodies and inharmonic spectra AJ Milne, R Laney, DB Sharp Musicae Scientiae, 2016	40	2016
Emotional responses in Papua New Guinea show negligible evidence for a universal effect of major versus minor music EA Smit, AJ Milne, H Sarvasy, R Dean PLOS One 17 (6), e0269597, 2022	39	2022
Exploring the space of perfectly balanced rhythms and scales AJ Milne, D Bulger, SA Herff Journal of Mathematics and Music 11 (2–3), 101–133, 2017	39	2017
Perfect balance: A novel principle for the construction of musical scales and meters AJ Milne, D Bulger, SA Herff, WA Sethares Mathematics and Computation in Music 9110, 97-108, 2015	35*	2015
Modelling the similarity of pitch collections with expectation tensors AJ Milne, WA Sethares, R Laney, DB Sharp Journal of Mathematics and Music 5 (1), 1–20, 2011	35	2011
A computational model of the cognition of tonality A Milne PQDT-Global, 2013	34	2013
Teaching mathematics with music: A pilot study TJ Hamilton, J Doai, AJ Milne, A Saisanas, Vicky, Calilhanna, C Hilton, ... Proceedings of IEEE International Conference on Teaching, Assessment, and …, 2018	31	2018
Perceived emotions of harmonic cadences EA Smit, FA Dobrowohl, NK Schaal, AJ Milne, SA Herff Music & Science 3, 2059204320938635, 2020	27	2020
Prefrontal high-gamma in ECoG tags periodicity of musical rhythms in perception and imagination SA Herff, C Herff, AJ Milne, GD Johnson, DJ Krusienski eNeuro, ENEURO.0413-19.2020, 2020	26	2020
XronoMorph: Algorithmic generation of perfectly balanced and well-formed rhythms AJ Milne, SA Herff, D Bulger, WA Sethares, RT Dean Proc. of the 2016 International Conference on New Interfaces for Musical …, 2016	26	2016
Computational creation and morphing of multilevel rhythms by control of evenness AJ Milne, RT Dean Computer Music Journal 40 (1), 35–53, 2016	22	2016
A MIDI sequencer that widens access to the compositional possibilities of novel tunings A Prechtl, AJ Milne, S Holland, R Laney, DB Sharp Computer Music Journal 36 (1), 42–54, 2012	22	2012

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