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Carol Lynne Krumhansl
Carol Lynne Krumhansl
在 cornell.edu 的电子邮件经过验证 - 首页
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引用次数
引用次数
年份
Cognitive foundations of musical pitch
CL Krumhansl
Oxford University Press, 2001
28312001
An exploratory study of musical emotions and psychophysiology.
CL Krumhansl
Canadian Journal of Experimental Psychology/Revue canadienne de psychologie …, 1997
15461997
Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.
CL Krumhansl, EJ Kessler
Psychological review 89 (4), 334, 1982
14191982
Quantification of the hierarchy of tonal functions within a diatonic context.
CL Krumhansl, RN Shepard
Journal of experimental psychology: Human Perception and Performance 5 (4), 579, 1979
7431979
The psychological representation of musical pitch in a tonal context
CL Krumhansl
Cognitive psychology 11 (3), 346-374, 1979
6671979
Concerning the applicability of geometric models to similarity data: The interrelationship between similarity and spatial density.
CL Krumhansl
American Psychological Association 85 (5), 445, 1978
6511978
Mental representations for musical meter.
C Palmer, CL Krumhansl
Journal of Experimental Psychology: Human Perception and Performance 16 (4), 728, 1990
6111990
Rhythm and pitch in music cognition.
CL Krumhansl
Psychological bulletin 126 (1), 159, 2000
5622000
Music: A link between cognition and emotion
CL Krumhansl
Current directions in psychological science 11 (2), 45-50, 2002
4992002
Cross-modal interactions in the perception of musical performance
BW Vines, CL Krumhansl, MM Wanderley, DJ Levitin
Cognition 101 (1), 80-113, 2006
4722006
Tonal hierarchies in the music of north India.
MA Castellano, JJ Bharucha, CL Krumhansl
Journal of Experimental Psychology: General 113 (3), 394, 1984
4421984
The representation of harmonic structure in music: Hierarchies of stability as a function of context
J Bharucha, CL Krumhansl
Cognition 13 (1), 63-102, 1983
4321983
A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas
CL Krumhansl
Music perception 13 (3), 401-432, 1996
4151996
Why is musical timbre so hard to understand
CL Krumhansl
Structure and perception of electroacoustic sound and music 9, 43-53, 1989
3901989
Modeling tonal tension
F Lerdahl, CL Krumhansl
Music perception 24 (4), 329-366, 2007
3772007
Isolating the dynamic attributes of musical timbrea)
P Iverson, CL Krumhansl
The Journal of the acoustical society of America 94 (5), 2595-2603, 1993
3721993
Acquisition of the hierarchy of tonal functions in music
CL Krumhansl, FC Keil
Memory & cognition 10 (3), 243-251, 1982
3291982
Infants’ perception of phrase structure in music
CL Krumhansl, PW Jusczyk
Psychological science 1 (1), 70-73, 1990
3231990
Independent temporal and pitch structures in determination of musical phrases.
C Palmer, CL Krumhansl
Journal of Experimental Psychology: Human Perception and Performance 13 (1), 116, 1987
3091987
Music psychology and music theory: Problems and prospects
CL Krumhansl
Music Theory Spectrum 17 (1), 53-80, 1995
2861995
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