| The emotional power of music: Multidisciplinary perspectives on musical arousal, expression, and social control T Cochrane, B Fantini, KR Scherer OUP Oxford, 2013 | 126 | 2013 |
| L'eredità di Diego Carpitella: etnomusicologia, antropologia e ricerca storica nel Salento e nell'area mediterranea: atti del convegno, Galatina, 21, 22 e 23 giugno 2002 M Agamennone, GL Di Mitri Salento Books, 2003 | 10* | 2003 |
| Maria Cavalli: In the Shadow of Francesco C Jeanneret Readying Cavalli’s Operas for the Stage, 95-117, 2013 | 7* | 2013 |
| La Musique à Rome au XVIIe siècle AM Goulet, C Giron-Panel École française de Rome, 2012 | 7 | 2012 |
| Gender ambivalence and the expression of passions in the performances of early Roman cantatas by castrati and female singers C Jeanneret The Emotional Power of Music: Multidisciplinary perspectives on musical …, 2013 | 6 | 2013 |
| L’œuvre en filigrane C Jeanneret Une étude philologique des manuscrits pour clamer à Rome au XVIIe siècle …, 2009 | 5 | 2009 |
| Costumes and Cosmopolitanism: Italian Opera in the North C Jeanneret Cambridge Opera Journal 32 (1), 27-51, 2020 | 4 | 2020 |
| L’objet-musique, paysage de la mémoire: Le mécénat et la collection musicale Chigi à Rome au XVIIe siècle C Jeanneret Revue de musicologie 103 (1), 3-51, 2017 | 3 | 2017 |
| L’objet-musique: Le mécénat et la collection musicale Chigi à Rome au XVIIe siècle C Jeanneret Revue De Musicologie, 2017 | 3 | 2017 |
| Fiori musicali: di diverse composizioni, toccate, kyrie, canzoni, capricci e recercari in partitura a quattro (1635) G Frescobaldi, LF Tagliavini, E Darbellay, C Jeanneret (No Title), 2010 | 3 | 2010 |
| L’Œuvre en filigrane: Une étude philologique des manuscrits de musique pour clavier à Rome au XVIIe siècle C Jeanneret Olschki, 2009 | 3 | 2009 |
| Music Analysis East and West WB Hewlett, E Selfridge-Field MIT Press (MA), 2006 | 3 | 2006 |
| Sarti, Giuseppe Francesco Eligi B Brover-Lubovsky, C Jeanneret, NE Østenlund, R Pfeiffer Dizionario Biografico degli Italiani 90, 0 | 3 | |
| The Roman Cantata Manuscripts: A Musical Cabinet of Curiosities (1640-1680) C Jeanneret Musical Text As Ritual Object, 73-88, 2015 | 2 | 2015 |
| The Score as Representation: Technologies of Music Book Production in Italy (1580s–1650s) and Their Editorial Implications C Jeanneret Early Music Editing: Principles, Historiography, Future Directions, 171-94, 2013 | 2 | 2013 |
| La construction d'un monstre: la figure de Frescobaldi, virtuose génial et gribouilleur C Jeanneret La musique à Rome au XVIIe siècle, 321-339, 2012 | 2 | 2012 |
| Made in Italy, tailored for Danes: Giuseppe Sarti and Italian Opera in Copenhagen C Jeanneret Music and Letters 102 (2), 271-361, 2021 | 1 | 2021 |
| Le Théâtre Français au Septentrion (1669–1728): Diplomatie, Échanges Culturels et Migration entre Paris et Copenhague C Jeanneret Early Modern French Studies, 1-22, 2021 | 1 | 2021 |
| The Grand Theater of the World: Music, Space, and the Performance of Identity in Early Modern Rome C Jeanneret Routledge, 2019 | 1* | 2019 |
| The Grand Theater of the World: Music, Space, and the Performance of Identity in Early Modern Rome V De Lucca, C Jeanneret Routledge, 2019 | 1 | 2019 |
