| Audio Description in the UK: What works, what doesn’t, and understanding the need for personalising access M Lopez, G Kearney, K Hofstädter British journal of visual impairment 36 (3), 274-291, 2018 | 37 | 2018 |
| Seeing films through sound: Sound design, spatial audio, and accessibility for visually impaired audiences M Lopez, G Kearney, K Hofstädter British Journal of Visual Impairment, 0264619620935935, 2020 | 26 | 2020 |
| Enhancing audio description: sound design, spatialisation and accessibility in film and television M Lopez, G Kearney, K Hofstädter Proc. of Institute of Acoustics 32nd Reproduced Sound Conf, 2016 | 16* | 2016 |
| Enhancing Audio Description: Inclusive Cinematic Experiences Through Sound Design MJ Lopez, G Kearney, K Hofstadter Journal of Audiovisual Translation, 157-182, 2021 | 11 | 2021 |
| Enhancing audio description: accessible filmmaking, sound design and the importance of educating filmmakers M Lopez, G Kearney, K Hofstädter, G Balla Media Practice and Education 21 (4), 289-304, 2020 | 8 | 2020 |
| An investigation of the use of EEG data for the purposes of sonification and visualisation in a creative environment K Hofstädter | 3 | 2010 |
| Journeys around the secret place K Hofstädter Musical Psychedelia, 171-191, 2022 | 2 | 2022 |
| NeuroMeditation with Music: Presentation and a brain-computer music interfacing performance. K Hofstadter Cambridge Festival of Ideas 2019, 2019 | 2 | 2019 |
| Developing brain-computer music interfaces for meditation K Hofstädter Anglia Ruskin University, 2022 | | 2022 |
