| Introduction: Mapping cultural intangibles A Longley, N Duxbury City, Culture and Society 7 (1), 1-7, 2016 | 57 | 2016 |
| From invisible to SEEN: a conceptual framework for identifying, developing and evidencing unassessed graduate attributes B Kensington-Miller, B Knewstubb, A Longley, A Gilbert Higher Education Research & Development 37 (7), 1439-1453, 2018 | 40 | 2018 |
| Artistic approaches to cultural mapping: Activating imaginaries and means of knowing N Duxbury, WF Garrett-Petts, A Longley Routledge, 2018 | 30 | 2018 |
| Embodiment and affect in research collaborations K Fitzpatrick, A Longley Emotion, Space and Society 12, 49-54, 2014 | 16 | 2014 |
| “Skeleton Boat on an Ocean of Organs” and other stories: Understanding and evoking posthuman relations through site-based dance, somatic practices, performance writing and … A Longley Text and Performance Quarterly 36 (4), 229-249, 2016 | 12 | 2016 |
| Moving words: Five instances of dance writing A Longley Victoria University, 2011 | 12 | 2011 |
| Visibilising the invisible: three narrative accounts evoking unassessed graduate attributes in dance education A Longley, B Kensington-Miller Research in Dance Education 21 (1), 18-33, 2020 | 11 | 2020 |
| Movement-initiated writing in dance ethnography A Longley 40th Anniversary of Studies in Symbolic Interaction 40, 69-93, 2013 | 10 | 2013 |
| I wanted to find you by inhabiting your tongue: Mistranslating between words and dance in choreographic practice A Longley Choreographic Practices 8 (1), 27-49, 2017 | 8 | 2017 |
| Introduction: Mapping cultural intangibles. City, Culture and Society, 1 (7), 1-7 A Longley, N Duxbury | 7 | 2016 |
| 40th Anniversary of Studies in Symbolic Interaction NK Denzin Emerald Group Publishing Limited, 2013 | 7 | 2013 |
| The foreign language of motion: A project from the kinesthetic archive A Longley Winchester University Press, 2013 | 7 | 2013 |
| Writing the somatic in the Insomnia Poems project A Longley, K Tate Journal of Dance & Somatic Practices 3 (1-2), 229-242, 2012 | 7 | 2012 |
| Rethinking dance writing A Longley Dance dialogues: Conversations across cultures, artforms and practices, 2008 | 7 | 2008 |
| experimental documentation/choreographic translation A Longley Dance Research Aotearoa 1, 75-85, 2013 | 6 | 2013 |
| fluid city/Water in the Sustainable City: An arts-science-education collaboration for Tāmaki Makaurau Auckland, New Zealand C Šunde, A Longley Animation of Public Space through the Arts: Towards More Sustainable …, 2013 | 6 | 2013 |
| Performative Writing as a Method of Inquiry with the Material World: The Art of the Imperative. E Fitzpatrick, A Longley LEARNing Landscapes 13 (1), 115-128, 2020 | 5 | 2020 |
| Imagining a fluid city A Longley, K Fitzpatrick, R Martin, C Brown, C Šunde, C Ehlers, ... Qualitative Inquiry 19 (9), 736-740, 2013 | 5 | 2013 |
| Inclusion and Diversity in our Choreographies and Classrooms AM Longley University of Otago, 2003 | 5 | 2003 |
| “Under the radar”: exploring “invisible” graduate attributes in tertiary dance education A Longley, B Kensington-Miller Journal of Applied Research in Higher Education 11 (1), 66-75, 2019 | 4 | 2019 |
