Repurposing Video Game Software for Musical Expression: A Perceptual Approach. A Sa NIME, 331-334, 2014 | 9 | 2014 |
How an Audio-Visual Instrument Can Foster the Sonic Experience A Sa Leonardo Electronic Almanac 19 (3), 2013 | 8 | 2013 |
Designing Musical Expression A Sá 2017 5th Conference on Computation, Communication, Aesthetics & X …, 2017 | 6 | 2017 |
The fungible audio-visual mapping and its experience A Sa, B Caramiaux, A Tanaka Journal of Science and Technology of the Arts 6 (1), 85-96, 2014 | 6 | 2014 |
A Perceptual Approach to Audio-Visual Instrument Design, Composition and Performance AAPVD Sa Goldsmiths, University of London, 2016 | 2 | 2016 |
Exploring Disparities Between Acoustic and Digital Sound Outputs A Sa Leonardo 48 (3), 280-281, 2015 | 2 | 2015 |
Live Interfaces: Seeds of Debate A Sá Universidade do Porto, CECL & CESEM (Universidade NOVA, MITPL (University of …, 2015 | 2 | 2015 |
A Parametric Model for Audio-Visual Instrument Design, Composition and Performance A Sá, A Tanaka Live Visuals, 240-266, 2022 | 1 | 2022 |
A method for the analysis of sound art and audio-visual performance A Sá Audiovisual e Industrias Criativas: Presente e Futuro, 575-589, 2021 | 1 | 2021 |
The variables of spatial presence: a parametric model A Sá, A Tanaka | 1 | 2019 |
Transdisciplinarity, Composition, Expression: Reflections on a Spherical Way of Thinking A Sá Leonardo 57 (1), 33-39, 2024 | | 2024 |
Expressão Sonora, Mediação e Percepção A Sá A Experiência Sonora: da Linearidade à Circularidade, 139-171, 2023 | | 2023 |
INTER-FACE: International Conference on Live Interfaces 2014 A Sá Universidade do Porto, CECL & CESEM (Universidade NOVA, MITPL (University of …, 2015 | | 2015 |
Exploring disparities between acoustic and digital sound A Sá MIT Press, 2015 | | 2015 |
A STUDY ABOUT CONFOUNDING CAUSATION IN AUDIOVISUAL MAPPING A SA, B CArAMIeUx, A TANAkA on Computation Communication Aesthetics and X, 274, 0 | | |