Linda Barwick

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Nick ThiebergerUniversity of MelbourneVerified email at unimelb.edu.au
Myfany TurpinUniversity of SydneyVerified email at sydney.edu.au
Amanda HarrisUniversity of SydneyVerified email at sydney.edu.au
Vaarzon-Morel, PetronellaNew York University Sydney; The University of SydneyVerified email at sydney.edu.au
Jennifer GreenThe University of MelbourneVerified email at unimelb.edu.au
Nick ReidAssociate Professor of Linguistics, University of New EnglandVerified email at une.edu.au
Georgia CurranUniversity of SydneyVerified email at sydney.edu.au
Joseph ToltzThe University of SydneyVerified email at sydney.edu.au
Isabel O'KeeffeResearch Associate, Sydney Conservatorium of Music, University of SydneyVerified email at sydney.edu.au
Nicholas EvansProfessor of Linguistics, Australian National UniversityVerified email at anu.edu.au
Professor Aaron CornThe University of MelbourneVerified email at unimelb.edu.au
Ruth SingerARC Future Fellow, Linguistics Program, School of Languages and Linguistics, University of MelbourneVerified email at unimelb.edu.au
Jakelin Fleur TroyProfessor, Director of Indigenous Research, The University of SydneyVerified email at sydney.edu.au
Joe BlytheMacquarie UniversityVerified email at mq.edu.au
Steve CassidySchool of Computing, Macquarie UniversityVerified email at mq.edu.au
Marcia LangtonIndigenous Studies Unit, CHE, MDHS, University of Melbourne

Linda Barwick

Emeritus Professor, Sydney Conservatorium of Music, University of Sydney

Verified email at sydney.edu.au - Homepage

ethnomusicology endangered languages digital humanities


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Creative (ir) regularities: the intermeshing of text and melody in performance of Central Australian song L Barwick Australian Aboriginal Studies, 12-28, 1989	59	1989
Endangered songs and endangered languages. A Marett, L Barwick Maintaining the links: language, identity and the land, 144-151, 2003	58	2003
Iwaidja Jurtbirrk songs: Bringing language and music together L Barwick, B Birch, N Evans Australian Aboriginal Studies, 6-34, 2007	47	2007
Turning it all upside down... Imagining a distributed digital audiovisual archive L Barwick Literary and Linguistic Computing 19 (3), 253-263, 2004	44	2004
For the sake of a song: Wangga songmen and their repertories A Marett, L Barwick, L Ford Sydney University Press, 2013	43	2013
Musical syntax and the problem of meaning in a Central Australian songline CJ Ellis, LM Barwick Musicology Australia 10 (1), 41-57, 1987	42	1987
Tempo bands, metre and rhythmic mode in Marri Ngarr 'Church Lirrga' songs L Barwick Australasian Music Research, 67-83, 2002	38	2002
Fables and endless genealogies: Soap opera and women's culture ME Brown, L Barwick Continuum: Journal of Media & Cultural Studies 1 (2), 71-82, 1988	35	1988
Musical Form and Style in Murriny Patha Song at Wadeye L Barwick Analytical and cross-cultural studies in world music, 316-354, 2011	33*	2011
A musicologist’s wishlist: some issues, practices and practicalities in musical aspects of language documentation. L Barwick Language Documentation and Description, 53-62, 2006	33	2006
Keeping records of language diversity in Melanesia: the Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC) L Barwick, N Thieberger Melanesian languages on the edge of Asia: challenges for the 21st century …, 2012	31	2012
Communities of interest: issues in establishing a digital resource on Murrinh-patha song at Wadeye (Port Keats), NT L Barwick, A Marett, M Walsh, N Reid, L Ford Literary and Linguistic Computing 20 (4), 383-397, 2005	30	2005
Performance, aesthetics, experience: Thoughts on Yawulyu Mungamunga songs L Barwick Aesthetics and experience in music performance, 1-18, 2005	30	2005
Song as an Indigenous art L Barwick Oxford companion to Aboriginal art and culture, 328-335, 2000	30	2000
The essence of singing and the substance of song: Recent responses to the Aboriginal performing arts and other essays in honour of Catherine Ellis L Barwick, A Marett, G Tunstill Oceania Publications, 1995	30*	1995
Sustaining Women's Yawulyu/Awelye: Some Practitioners' and Learners' Perspectives L Barwick, M Laughren, M Turpin Musicology Australia 35 (2), 191-220, 2013	29	2013
Marri Ngarr lirrga songs: a musicological analysis of song pairs in performance L Barwick Musicology Australia 28 (1), 1-25, 2005	28	2005
Central Australian women's ritual music: Knowing through analysis versus knowing through performance L Barwick Yearbook for Traditional Music 22, 60-79, 1990	28	1990
Cybraries in paradise: new technologies and ethnographic repositories L Barwick, N Thieberger Libr@ries: Changing information space and practice, 133-49, 2006	27*	2006
Gender ‘taboos’ and didjeridus L Barwick The Didjeridu: From Arnhem Land to Internet. Sydney: John Libbey, 89-98, 1997	27	1997

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