| The Korean wave: Korean popular culture in global context Y Kuwahara Springer, 2014 | 125 | 2014 |
| Queering spectatorship in K-pop: The androgynous male dancing body and western female fandom C Oh The Journal of Fandom Studies https://doi.org/10.1386/jfs.3.1.59_1 3 (1), 59-78, 2015 | 84 | 2015 |
| The politics of the dancing body: Racialized and gendered femininity in Korean pop C Oh The Korean Wave: Korean popular culture in global context, 53-81, 2014 | 80 | 2014 |
| Vlogging White privilege abroad: Eat Your Kimchi’s eating and spitting out of the Korean other on YouTube DC Oh, C Oh Communication, Culture & Critique https://doi.org/10.1111/cccr.12180 10 (4 …, 2017 | 39 | 2017 |
| Unmasking queerness: blurring and solidifying queer lines through K-pop cross-dressing. C Oh, DC Oh Journal of Popular Culture (Boston) 50 (1), 9-29, 2017 | 29 | 2017 |
| East Asian Men X Lin, C Haywood, M Mac an Ghaill London: Palgrave Macmillan UK, 2017 | 25 | 2017 |
| Performing Post-Racial Asianness: K-Pop's Appropriation of Hip-Hop Culture C Oh Congress on Research in Dance doi:10.1017/cor.2014.17 2014, 121-125, 2014 | 17 | 2014 |
| “Cinderella” in reverse: Eroticizing bodily labor of sympathetic men in K-pop dance practice video C Oh East Asian men: Masculinity, sexuality and desire, 123-141, 2016 | 16 | 2016 |
| From Seoul to Copenhagen: Migrating K-Pop Cover Dance and Performing Diasporic Youth in Social Media. C Oh Dance Research Journal 52 (1), 2020 | 14 | 2020 |
| “Until You Are Able”: South Korean Multiculturalism and Hierarchy in My Little Hero DC Oh, C Oh Communication, Culture & Critique 9 (2), 250-265, 2016 | 14 | 2016 |
| TikTok and short-form screendance before and after Covid A Harlig, C Abidin, T Boffone, K Bowker, C Eloi, P Krayenbuhl, C Oh The International Journal of Screendance 12, 2021 | 12 | 2021 |
| The heroic white man and the fragile Asian girl: Racialized and gendered orientalism in Olympic figure skating C Oh Asian Sport Celebrity, 104-120, 2021 | 11 | 2021 |
| Identity passing in intercultural performance of K-pop cover dance C Oh Journal of intercultural communication research 49 (5), 472-483, 2020 | 10 | 2020 |
| K-pop dance: fandoming yourself on social media C Oh Routledge, 2022 | 9 | 2022 |
| The candlelight movement, democracy, and communication in Korea YC Kim Routledge, 2022 | 4 | 2022 |
| The one billion rising flash mob: From unspeakable trauma to danceable pleasure C Oh Dance Chronicle 42 (3), 296-321, 2019 | 4 | 2019 |
| Nationalizing the balletic body in Olympic figure skating C Oh Sport in Korea, 119-132, 2017 | 4 | 2017 |
| K-popscape: Gender fluidity and racial hybridity in transnational Korean pop dance C Oh | 4 | 2015 |
| White-expat-fans’ performing K-pop Other on YouTube C Oh, DC Oh Text and Performance Quarterly 42 (2), 198-219, 2022 | 1 | 2022 |
| “Can you dance for me?” the (Im) possibility of speaking trauma in dance ethnography C Oh Text and Performance Quarterly 41 (3-4), 241-261, 2021 | 1 | 2021 |
Yong-Chan KimYonsei University, University of Iowa, Alabama, Southern CaliforniaVerified email at yonsei.ac.kr
