| What's the Use? Constellations of Art, History and Knowledge J Armin, C Aushana, Z Badovinac, M Borja-Villel, T Bruguera, J Byrny, ... Valiz, 2016 | 15 | 2016 |
| Seeing Police: Cinematic Training and the Scripting of Police Vision C Aushana Surveillance & Society 17 (3/4), 367-381, 2019 | 5 | 2019 |
| Transborder Art Activism and the US-Mexico Border: Analyzing “Artscapes” as Forms of Resistance and Cultural Production in the Frame of Globalization C Aushana International Journal of Interdisciplinary Social Sciences 6 (7), 127-141, 2012 | 4 | 2012 |
| Inescapable scripts: role-playing feminist (re) visions and rehearsing racialized state violence in police training scenarios C Aushana Women & Performance: a journal of feminist theory 30 (3), 284-306, 2021 | 3 | 2021 |
| Staging the racial optics of police vision C Aushana Routledge International Handbook of Police Ethnography, 301, 2023 | | 2023 |
| Arresting Optics: Black Femme Witnessing in Protest Photojournalism and the Anti-Black Techniques of Police Vision C Aushana, T Pixley History of Photography, 1-12, 2022 | | 2022 |
| ‘When We are in Crisis’: Youth-Centered Transitional Justice, Police Violence, and Political Imaginaries P Anderson, C Aushana, C Collins International Journal of Transitional Justice, 2022 | | 2022 |
| Don’t Look Too Closely: Appropriation, Incorporation and Repatriation in Popular Media C Collins, LS Berliner, C Aushana, S Harewood | | 2022 |
| Screening Racial Visions, Scripting State Violence: The Performance and Visual Culture of Patrol Work and Police Training in San Diego CA Aushana UC San Diego, 2021 | | 2021 |
| Staging the racial optics of police vision: The violent rehearsal of traffic stops C Aushana Routledge International Handbook of Police Ethnography, 301-318, 0 | | |
