| Detecting harmonic change in musical audio C Harte, M Sandler, M Gasser Proceedings of the 1st ACM workshop on Audio and music computing multimedia …, 2006 | 417 | 2006 |
| Symbolic Representation of Musical Chords: A Proposed Syntax for Text Annotations. C Harte, MB Sandler, SA Abdallah, E Gómez ISMIR 5, 66-71, 2005 | 289 | 2005 |
| Automatic chord identifcation using a quantised chromagram C Harte, M Sandler Audio Engineering Society Convention 118, 2005 | 235 | 2005 |
| Towards automatic extraction of harmony information from music signals C Harte | 127 | 2010 |
| OMRAS2 metadata project 2009 M Mauch, C Cannam, M Davies, S Dixon, C Harte, S Kolozali, D Tidhar, ... Proc. of 10th International Conference on Music Information Retrieval, 1, 2009 | 127 | 2009 |
| Discovering chord idioms through Beatles and Real Book songs M Mauch, S Dixon, C Harte, MA Casey, B Fields Austrian Computer Society, 2007 | 69 | 2007 |
| A low-cost real-time tracking system for violin LS Pardue, C Harte, AP McPherson Journal of New Music Research 44 (4), 305-323, 2015 | 45 | 2015 |
| SynPy: a python toolkit for syncopation modelling C Song, M Pearce, C Harte Sound and Music Computing Conference (SMC 2015), 2015 | 26 | 2015 |
| Syncopation and the score C Song, AJR Simpson, CA Harte, MT Pearce, MB Sandler PLoS One 8 (9), e74692, 2013 | 22 | 2013 |
| Pickup position and plucking point estimation on an electric guitar Z Mohamad, S Dixon, C Harte 2017 IEEE International Conference on Acoustics, Speech and Signal …, 2017 | 15 | 2017 |
| Extraction Of Metrical Structure From Music Recordings E Quinton, M Sandler, C Harte Int. Conference on Digital Audio Effects (DAFx-15), 2015 | 11 | 2015 |
| Low-Latency Audio Pitch Tracking: a Multi-Modal Sensor-Assisted Approach APMP Laurel S. Pardue , Dongjuan Nian, Chris Harte NIME 2014, 2014 | 11 | 2014 |
| Pickup position and plucking point estimation on an electric guitar via autocorrelation Z Mohamad, S Dixon, C Harte The Journal of the Acoustical Society of America 142 (6), 3530-3540, 2017 | 9 | 2017 |
| Corpus-taught Evolutionary Music Composition C Sulyok, A McPherson, C Harte European Conference on Artificial Life (ECAL 2015), 2015 | 6 | 2015 |
| Queen Mary's "Media and Arts Technology Studios" Audio System Design MJ Morrell, CA Harte, JD Reiss Audio Engineering Society Convention 130, 2011 | 6 | 2011 |
| Automatic chord recognition using quantised chroma and harmonic change segmentation C Harte, M Sandler Centre for Digital Music, Queen Mary University of London, 2009 | 6 | 2009 |
| Evolving the process of a virtual composer C Sulyok, A McPherson, C Harte Natural Computing 18, 47-60, 2019 | 5 | 2019 |
| On the impact of domain-specific knowledge in evolutionary music composition C Sulyok, C Harte, Z Bodó Proceedings of the Genetic and Evolutionary Computation Conference, 188-197, 2019 | 4 | 2019 |
| Digitally Moving An Electric Guitar Pickup Z Mohamad, S Dixon, C Harte Int. Conference on Digital Audio Effects (DAFx-15), 2015 | 3 | 2015 |
| The chord ontology, 2007 C Sutton, Y Raimond, M Mauch, C Harte URL http://purl. org/ontology/chord, 0 | 3 | |
Mark SandlerQueen Mary University of London在 qmul.ac.uk 的电子邮件经过验证
