| What “The Bechdel Test” doesn’t tell us: examining women’s verbal and vocal (dis) empowerment in cinema J O’Meara Feminist Media Studies 16 (6), 1120-1123, 2016 | 56 | 2016 |
| “Like Movies for Radio”: Media Convergence and the Serial Podcast Sensation J O’Meara Frames Cinema Journal 8, 1-28, 2015 | 20 | 2015 |
| MEME GIRLS VERSUS TRUMP: Digitally Recycled Screen Dialogue as Political Discourse J O'Meara The Velvet Light Trap, 28-42, 2018 | 14 | 2018 |
| We've Got to Work on Your Accent and Vocabulary": Characterization through Verbal Style in" Clueless J O'Meara Cinema Journal 53 (3), 138-145, 2014 | 13 | 2014 |
| Aberrant AI creations: co-creating surrealist body horror using the DALL-E Mini text-to-image generator J O’Meara, C Murphy Convergence 29 (4), 1070-1096, 2023 | 10 | 2023 |
| AR Cinema: Visual Storytelling and Embodied Experiences with Augmented Reality Filters and Backgrounds J O'Meara, K Szita PRESENCE: Virtual and Augmented Reality, 1-58, 2023 | 10 | 2023 |
| Women's Voices in Digital Media: The Sonic Screen from Film to Memes J O'Meara University of Texas Press, 2022 | 9 | 2022 |
| Engaging Dialogue: Cinematic Verbalism in American Independent Cinema J O'Meara Edinburgh University Press, 2018 | 8 | 2018 |
| A Shared Approach to Familial Dysfunction and Sound Design: Wes Anderson’s Influence on the Films of Noah Baumbach J O’Meara The films of Wes Anderson: critical essays on an indiewood icon, 109-124, 2014 | 8 | 2014 |
| Touchscreens, tactility, and material traces: From avant-garde artists to Instagram ASMRtists J O’Meara NECSUS. European Journal of Media Studies 8 (2), 235-262, 2019 | 7 | 2019 |
| Inside the Outsider’s Ear–Hyperacousia and Marginalized Character Identification J O’Meara The Soundtrack 5 (2), 121-129, 2014 | 4 | 2014 |
| Body Talk and the Remediation of Women's Voices in RuPaul's Drag Race J O'Meara JCMS: Journal of Cinema and Media Studies 61 (1), 75-98, 2021 | 3 | 2021 |
| Cate Blanchett's deconstruction of performance through performance J O’Meara The Cine-Files: A Scholarly Journal of Cinema Studies, 1-12., 2014 | 3 | 2014 |
| Anna Biller J O'Meara The Routledge Companion to Cult Cinema, edited by Jamie Sexton and Ernest …, 2019 | 2 | 2019 |
| Parker Posey as Hal Hartley's ''Captive Actress'' J O'Meara The Cinema of Hal Hartley: Flirting with Formalism (Directors' Cuts Series …, 2016 | 2 | 2016 |
| Poetic Dialogue - Lyrical Speech in the Work of Hal Hartley and Jim Jarmusch J O'Meara Verse, Voice, and Vision: Poetry and the Cinema, ed. by Marlisa Santos, 165-178, 2013 | 2 | 2013 |
| Identity Politics and Vocal ‘Whitewashing’in Celebrity Lip-Syncs.” J O’Meara Media Ventriloquism: How Audiovisual Technologies Transform the Voice-Body …, 0 | 2 | |
| Reimagined Film Posters as Participatory Digital Paratexts J O’Meara The Journal of Digital Media Arts and Practice 9 (2), https://web.archive …, 0 | 2* | |
| Manipulating (public) images in the contemporary music documentary J O'Meara Experiencing Music and Visual Cultures, 79-90, 2021 | 1 | 2021 |
| ‘Call her moonchild’: Christina Ricci’s enduring embodiment of impure youth and whiteness J O’Meara Celebrity Studies 10 (2), 208-227, 2019 | 1 | 2019 |
