| Birds of a feather: Informal recruitment practices and gendered outcomes for screenwriting work in the UK film industry N Wreyford The Sociological Review 63, 84-96, 2015 | 110 | 2015 |
| Gender inequality in screenwriting work N Wreyford Palgrave Macmillan, 2018 | 48 | 2018 |
| The Real Cost of Childcare: Motherhood and Flexible Creative Labour in the UK Film Industry-Review Essay N Wreyford Studies in the Maternal 5 (2), 2013 | 45 | 2013 |
| Data and Responsibility: Toward a Feminist Methodology for Producing Historical Data on Women in the Contemporary UK Film Industry N Wreyford, S Cobb Feminist Media Histories 3 (3), 107-132, 2017 | 38 | 2017 |
| Locked Down and Locked Out: The impact of the COVID-19 pandemic on mothers working in the UK television industry N Wreyford, H Kennedy, J Newsinger, R Aust Nottingham University Press, 2021 | 15 | 2021 |
| Calling the Shots: Women working in key roles on UK films in production during 2015 S Cobb, LR Williams, N Wreyford | 11 | 2018 |
| Calling the shots: Women directors and cinematographers on British Films since 2003 S Cobb, LR Williams, N Wreyford | 9 | 2018 |
| Calling the Shots: Women and Contemporary UK Film Culture S Cobb, LR Williams, N Wreyford University of Southampton, 2016 | 8 | 2016 |
| The gendered contexts of screenwriting work: socialized recruitment and judgments of taste and talent in the UK film industry NL Wreyford King's College London, 2016 | 7 | 2016 |
| “Could you hire someone female or from an ethnic minority?” Being both: black, Asian and other minority women working in British film production S Cobb, NL Wreyford Goldsmiths, University of London, 2021 | 5* | 2021 |
| Gender, Capital, and Getting In N Wreyford Gender Inequality in Screenwriting Work, 53-85, 2018 | 2 | 2018 |
| Creative Majority: An APPG for Creative Diversity report on ‘What Works’ to support, encourage and improve equality, diversity and inclusion in the creative sector.: A report … T Dent, N Wreyford, D O'Brien | 1 | 2021 |
| The Creative Collaboratory Method: Report and Toolkit H Kennedy, S Atkinson, N Wreyford | 1 | 2021 |
| Introduction: The Extent of Gender Inequality in Film Screenwriting Work N Wreyford Gender Inequality in Screenwriting Work, 1-16, 2018 | 1 | 2018 |
| Calling the shots S Cobb, LR Williams, N Wreyford | | 2018 |
| Gendering Taste N Wreyford Gender Inequality in Screenwriting Work, 169-191, 2018 | | 2018 |
| Gendering the Screenwriter N Wreyford Gender Inequality in Screenwriting Work, 17-52, 2018 | | 2018 |
| The Gendered Dynamics of the Recruitment of Screenwriters N Wreyford Gender Inequality in Screenwriting Work, 87-109, 2018 | | 2018 |
| The Impact of Motherhood on Screenwriters N Wreyford Gender Inequality in Screenwriting Work, 111-146, 2018 | | 2018 |
| Conclusion: Moving Beyond Numbers to Make Change Happen N Wreyford Gender Inequality in Screenwriting Work, 193-209, 2018 | | 2018 |
Shelley CobbProfessor Film and Feminist Media Studies, University of SouthamptonVerified email at soton.ac.uk
