| Abject origins: Uncanny strangers and figures of fetishism in Larissa Lai’s Salt Fish Girl J Mansbridge West Coast Line 38 (2), 121-133, 2004 | 30 | 2004 |
| Paula Vogel J Mansbridge University of Michigan Press, 2014 | 26 | 2014 |
| Memory's Dramas, Modernity's Ghosts: Thornton Wilder, Japanese Theater, and Paula Vogel's" The Long Christmas Ride Home" J Mansbridge Comparative Drama, 209-235, 2012 | 13 | 2012 |
| The Methuen Drama Guide to Contemporary American Playwrights T Adler, ST Cummings, J Achilles, K Urban, K Benesch, ... A&C Black, 2013 | 12 | 2013 |
| Popular Bodies, Canonical Voices: Paula Vogel's Hot ‘n’ Throbbing as Performative Burlesque J Mansbridge Modern Drama 52 (4), 469-489, 2009 | 11 | 2009 |
| Fantasies of Exposure: Belly Dancing, the Veil, and the Drag of History. J Mansbridge Journal of Popular Culture 49 (1), 2016 | 10 | 2016 |
| In Search of a Different History: The Remains of Burlesque in Montreal J Mansbridge Canadian Theatre Review, 7-12, 2014 | 7 | 2014 |
| Adapting Queerness, Queering Adaptation: Fun Home on Broadway J Mansbridge Adaptation, Awards Culture, and the Value of Prestige, 75-94, 2017 | 6 | 2017 |
| Gestures of Remembrance in Paula Vogel and Rebecca Taichman’s Indecent J Mansbridge Modern drama 61 (4), 479-500, 2018 | 5 | 2018 |
| The Zenne: Male Belly Dancers and Queer Modernity in Contemporary Turkey1 J Mansbridge Theatre Research International 42 (1), 20-36, 2017 | 5 | 2017 |
| “Take Caroline away”: Catastrophe, change, and the tragic agency of nonperformance in Tony Kushner’s Caroline, or Change.’ J Mansbridge Journal of American Drama and Theatre 31 (2), 2019 | 4 | 2019 |
| Animating Extinction, Performing Endurance: Feathers, Angels, and Indigenous Eco-Activism J Mansbridge Theatre Topics 28 (2), 113-123, 2018 | 3 | 2018 |
| When Zoom Roomed the World: Performing Network Culture's Enclosures S Devabhaktuni, J Mansbridge, S Sentler Global Performance Studies 4 (2), 2021 | 2 | 2021 |
| Law of Extraction: Transcultural Environments, Uncanny Subjects, and the “Unresolved Question of Pleasure” in Ana Lily Amirpour’s A Girl Walks Home Alone at Night (2014) JG Mansbridge Journal of Popular Culture 54 (4), 811-831, 2021 | 2 | 2021 |
| Endangered Vampires of the Anthropocene: Jim Jarmusch’s Only Lovers Left Alive and the Ecology of Romance J Mansbridge Genre: Forms of Discourse and Culture 52 (3), 207-228, 2019 | 2 | 2019 |
| The Comic Bodies and Obscene Voices of Burlesque J Mansbridge Women and Comedy: History, Theory, Practice, 97-110, 2013 | 2 | 2013 |
| Dramaturgy of Extinction: Sentient Landscapes, Spectral Bodies, and Unthought Worlds in Kris Verdonck’s Conversations (at the end of the world) and SOMETHING (out of nothing) J Mansbridge Contemporary Theatre Review 32 (2), 124–139, 2022 | 1 | 2022 |
| Democracy's Dislocations: Spaces of Protest and the People of Hong Kong S Devabhaktuni, J Mansbridge Public Culture 34 (1), 99-121, 2022 | 1 | 2022 |
| Choreographing the nonhuman: cross-cultural entanglements and technologies of capture in Zuni Icosahedron’s and Zurich University of the Arts’ Z/Z Twin Lab JG Mansbridge International Journal of Performance Arts and Digital Media 16 (1), 88-103, 2020 | 1 | 2020 |
| Consuming bodies, abject spaces: Ana Lily Amirpour’s transcultural expressionism J Mansbridge Female Agencies and Subjectivities in Film and Television, 65-83, 2020 | 1 | 2020 |
